Teenage Mutant Ninja Turtles vs. Plato

plato pizza

I was watching tv with composer extraordinaire Alex Williamson the other day and the 1990 Teenage Mutant Ninja Turtles movie was on. I’d never seen it before and we talked about how a lot of the feedback about the version that came out this summer had been that they don’t like the CGI of the turtles, it’s too much of an action movie, some shit about how the nostrils don’t look right,… anyway, whatever, I don’t really care, BUT, it got me thinking about what Plato has to say about art and if that might be why people are always so grumpy about remakes of classic movies, books, etc.

Stay with me here, but do you remember Plato’s Republic and the rant about chairs? Drama nerds and lit/humanities students will know what I’m talking about. There’s a section where Plato discusses art versus truth, and explains that art is extremely untruthful because it’s so far from it’s original truth of the concept which the art is about. With the chair example, here would be the hierarchy (from most truthful to least truthful):

  • The idea of “chair” (purest form of chair)
  • An actual physical chair (twice removed from chair-ness)
  • The absolute WORST = some sort of art about a chair– a drawing, poem, etc. Bleh! He says that this is the worst level of imitation (his antithesis of truth) because it is a “copy of a copy.”

Of course most of what Plato has to say about art here in Republic is cray (like the idea that art is terrible and worthless because of it’s imitative-ness, WHICH, is awkward because Republic is merely words written down that are an imitation of his actual ideas… but anyway, that’s a diatribe for another day), but the apparent TNMT disappointment got me thinking about these concepts of imitation and truth and how people are almost always disappointed by remakes. So many movie-goers (myself included) are tired of seeing a bajillion sequels and remakes all the time rather than getting new, fresh, interesting stories. Not only that, but there’s an “if it ain’t broke, don’t fix it” situation with a lot of these classics being remade– making a reboot that’s less than can desecrate the original. Is this because these copies of copies are getting at our inner Plato spirit? That these remakes and sequels are taking us further and further away from the “true” story? I’m sure Plato would not be down with the blockbuster schedules for the next few summers.

Plato was not a fan of the arts in general, but I think I have to agree with him on some level about this. Let’s treasure our originals and go make some kick-ass new stuff.


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Monthly Inspirations, September 2014

Nice Things

I already talked about it last month, but now it is actually open (as of last night!) and if you are in Los Angeles, you should treat yo self to this incredible drama. I worked on the AD team and marketing team for this show and love supporting Mr. Vince Melocchi and new works in general. As I mentioned last month, working on this has been so incredible because everyone who worked on this show gives a shit SO MUCH about making good theatre, and that makes me want to explode with love. Our official blurb is: “As the economy falls apart, military recruiters are offering paychecks and school tuition with the promise of a better life. But at what cost? Nice Things explores the changing and diminishing options now available for young men and women in small town America.”




Since my month was very busy getting this amazing play off the ground, it was my big, month-long inspiration. But, I will leave you with this, which is inspiring in it’s own way:

44 Medieval Beasts That Cannot Even Handle It Right Now

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Monthly Inspirations, August 2014

August favs!

This Buzzfeed article:

I totally cried while watching these. Not from being sad, but from the sheer joy and gratitude that there are people out there working in musical theatre who are so profoundly talented (and I know perfect is an ugly word, but, seriously, perfect): 


If you haven’t seen Cheyenne Jackson in action, you must do so immediately.

Hollyshorts Film Festival:

Film festival season! I volunteered for the Hollyshorts Film Festival in Hollywood in August and got to see a bunch of great shorts. A few I really liked were The Council and Interstate. The Council is by AFI alumni Beau McCombs and Nich Musco and had great visuals and a wonderful, charming story. IMDB does a better job of explaining it: “While talking to the girl of his dreams, Theo gets an Idea for a joke. At this moment we go INSIDE Theo’s brain and follow this Bright Idea as he fights past Insecurities to get to The Council Chamber so he may be approved to be said out loud.” It’s super cute. They took such a great idea and executed it perfectly. And, my fellow B-Lo native, Michael Beardsley, makes an appearance! You can see a trailer of The Council here. I also really enjoyed Interstate by Camille Stochitch, which  is about a driving instructor who helps illegal immigrants get licenses and is put in a compromising situation where… well, why don’t you just see it for yourself. 🙂 It was sweet yet heart-wrenching yet topical story that was very well done.

The Pet Matchmaker:

Through a panel at the Hollyshort Festival I became aware of Elaine Hendrix’s foundation, The Pet Matchmaker. If you’re from my generation, you’ve surely seen Elaine in gems like the reboot of The Parent Trap and, one of my personal favorites, Superstar (which I totally own on VHS). The Pet Matchmaker is a non-profit whose mission is, “to foster happy, healthy relationships between people and their rescue pets.”  I love animals and have a rescue kitty myself, so I am very passionate about this organization. If you’ve been thinking about adopting, check them out now! 



My kitttttyyyyyy


Making Your Life as an Artist:

I came across this amazing e-book called “Making Your Life as an Artist” by Andrew Simonet. The PDF is FREE to download at www.artistsu.org/making. OMG. This made my heart so happy. I highly, highly recommend this for any and all people who have chosen to devote their lives to something creative. This is all stuff we really need to hear because it reminds us of how important we are to the world and helps right some really rampant and unhelpful mindset issues. 

Awesome theatre:

Lastly I just want to give a shout-out to Rogue Machine and give some love to the theatre. I love theatre. I will always love theatre. Right now I’m fortunate to be assistant directing/helping with producing for Nice Things by Vince Melocchi at Rogue Machine Theatre. This whole process just reminds me why I LOVE working on new works so much and how crazy satisfying and energizing it is to be all working together towards the goal of telling a story in the best way possible. We have fun, but everyone takes it really seriously, and I love that. I’ve been in a mishmash of theatre out here and it feels so incredible to work with people who have SOOOOO much respect for the artform. You best check it out. I have a feeling this show will be on my list next month. 🙂 Tickets available soon at www.roguemachinetheatre.com.

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Monthly Inspirations, July 2014

Bernstein and Gershwin at the Hollywood Bowl

Lovely concert of the LA Philharmonic doing songs of Bernstein and Gershwin. This hit such a sweet spot in my musical theatre girl heart. I am such a nerd for both of those composers. There was a great surprise performance by Alysha Umphress, who’s apparently going to be in a Broadway production of On the Town soon, of “I Can Cook, Too.” She was just great. What an excellent job. Watch out for her. I am so picky about musical theatre singers (well, probably just singers in general, too 😉 ) and she just does it right. SUCH great control. Anyway, yes, the rest of the music was lovely as well! Bramwell Tovey was incredibly charming and confident as the conductor. It felt amazing to be in the presence of someone with such immense respect for this music. Hearing “Rhapsody in Blue” performed live was definitely a bucket list thing for me and made me cry a lot with tears of overwhelm for the beauty and the drama of it all.

Bramwell Tovey conducting, from laphil.com

Orphan Black

I started watching this show in July and now am completely obsessed. Tatiana Maslany is the bomb dot com. Absolute baller hall of fame. Check it out on Amazon Prime immediately.



I wasn’t always sure about what was going on during Rogue Machine’s production of Penelope by Enda Walsh, but as usual the Rogues do not let me down when it comes to top notch actors. Hanging around theatres like this inspire me because it aligns with my career goal, which is to be a working actor in both theatre AND film/tv. Brian Letscher, who is on Scandal, was one of the main characters in this play, and in the talkback spoke on acting in both mediums and how he’s drawn to doing theatre even if he has a paying gig because it’s such fun work and so rewarding. Also, he tweeted me right back after I tweeted that he did a great job in the show, so… I have a crush on him now.


TPLLA Meeting

I am fortunate to be an Associate Member of the Theatre Producers League of Los Angeles, and to be a part of conversations about strengthening the Los Angeles theatre community, the theatre we make, and how we represent ourselves. In July we had a member meeting to discuss some committees and initiatives we want to work on and some standards and best practices we want to put into place for companies in Los Angeles. It was so exciting to be in a room with so many talented, conscientious, passionate theatre-makers. You can find out more about us here: www.tpl-la.com 

Meeting in progress; photo credit: Greg Crafts

The Blind Date Project

Produced by Andrew Carlberg and starring Bojana Novakovic. This is (kind of) site-specific theatre where the show is in a bar and Bojana and a select, handsome, known-ish actor (different guy very show) meet to have an improvised blind date in front of the audience. The fact that Bojana creates a completely different character for every show is amazing. It’s very intense to watch (definitely exciting and sometimes stressful!) and is a WORKOUT for those actors. I would absolutely recommend that any and all LA actors go see this because it is such a lesson in listening, being in the moment, not getting in your own way, and basically everything you need to learn as an actor. They have shows most Wednesdays at the Three Clubs in Hollywood. More details about it on their Facebook page.

What did you see/do in July that inspired you?

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Monthly Inspirations, June 2014

I’m starting a new posting series about inspirational stuff I see each month. I think it’s so important to stay active and inspired as an artist, and if I can help give more exposure to things I believe in, all the better! Here goes! 🙂


Phew! June is such a crazy month out here! Festivals galore! I volunteered for the Dances with Films Festival and helped out with an award for the Hollywood Fringe Festival, so I had the opportunity to see MANY films and plays in June. Here are some special ones:

Dances with Films first…

Personal Day

From their FB page: “The story of two disgruntled office workers who (by complete coincidence) choose the same day to bring guns to work and ‘resign’.” I watch a lot of things that I feel like could be a lot better after one or two more drafts. This was not one of them. What a great feeling to be watching something and thinking “This is just perfect.” They took a topic that’s so timely and so heavy, yet but an interesting, exciting, smart twist on it and made it INCREDIBLY funny. Can’t wait to see what these peeps do next.



Wow. Soldier comes back from Afghanistan to her family and civilian life and becomes obsessed with a guy she sees in her hometown, believing him to be connected to some shiz that went down back in Afghanistan. I really loved the story and was completely captivated in that “Oh shit what’s gonna happen?!?!?!?” way that I absolutely love. Tajana Prka carries this movie and did such incredible work. It’s so wonderful to see a female character who’s such a badass and still extremely emotionally complex and troubled. Her troubled-ness was magnificently executed, and damn it’s so exciting to see such rich inner life become exposed through great acting.



Missing Child

From the website: “A young woman, who never knew her parents, discovers that she resembles an age-progressed photo in a “Missing Child” listing. After she meets the man who could be her father, her journey takes an unexpected turn. She uncovers secrets and lies in an attempt to find closure to her own disturbing past.” Some amazing acting Kristen Ruhlin in this one. It looks like she’s been in some great projects, and I really hope to see more of her. Luke created a great, suspenseful vibe that was both creepy and exciting. I am always super impressed when actors in the film are also directing the film and do a great job of both.


Druid Peak

I cried during this more than I’ve cried during a movie in a long time. And I cry a lot during movies. Honestly, even watching the trailer again just now I cried. This film is about a kid who’s having a rough time and goes to live with his estranged father who monitors wolf packs in Wyoming, and then finds himself while learning about and tracking these wolves. Not only is this film totally beautiful to watch because of the landscape and wildlife, but it’s also an intensely heartfelt and touching story. I think there’s just something about seeing someone who is hurting so much and having such a hard time with life find something that fills their heart and brings them a sense of purpose. Spencer, the lead actor, was AMAZING and gave an absolutely masterful performance in this film. Watch out for him. I can’t believe he’s not being cast in every movie right now.

If this shit doesn’t get a theatrical release, I’m going to lose all faith in the film industry.


Druid Peak


It’s hard to talk about this one without tons of spoilers, so here is what their FB page says: “Casey is about a young girl who struggles with her mother’s misguided attempts to show love. She finds escape as an MC in an underground hip-hop club and must decide between taking a stand against her mother, or watching her owns dreams drift away.” Very touching, great characters, and I love how they play with expectation. Very personal connection to some of the material in here and would love to see what they do next.



And now for two wonderful productions at the Hollywood Fringe Festival (admittedly both featuring friends of mine!):

No Homo

A great exploration of sexuality which brings up many interesting questions about relationships, sex, how we like to categorize, and so much more. Funny, but still sensitive. I love seeing plays that explore something I haven’t thought about before. Won hella awards at Fringe, which was well-deserved.


No Homo

Friends Like These

Written by the illustrious Greg Crafts (one of the most hard-working, earnest people I’ve ever met), this play focuses on the interweaving of high school cliques, the isolation and otherness we’ve all felt, and the feelings that lead us to violence. We actually had a reading of this play at my house two years ago and it was so awesome to see it fully realized. They have a really excellent production here with some equally excellent acting work that opened up some great conversations at the Q&A after the show. It’s at San Diego Fringe Festival now, and I’m sure that’s not the last we’ll see of this show. Check it out at the SD Fringe if you’re in the area.



Until next month!

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#TIL: The One-Headphone Secret

Here’s an Instagrammed up picture of our at-home studio set-up (yes, I finally got on Instagram, at maureenchesus) that we used to record some music for my singing reel:


I feel the need to impart some wisdom from recording today: Mariah and Christina and all those other folks you see wailing away with the headphones half off and their right hand diva gesticulations– they are NOT just being divas and trying to show you how into the song they are. Well, actually I can’t speak for the gesticulating. I don’t know what that’s about. But what I DO know is…

As someone coming from a musical theatre background rather than a recording background, I’m used to hearing myself sing live. In musical theatre, you’re taught to sing for the space; to fill the whole room. You’re using your voice to give love and emotion to the entire theatre, all the way to the back row. When you’re recording, it’s all getting funneled pointedly into the microphone. The mic doesn’t care how full and luscious the sound is as it reverberates throughout the room. It can sound much thinner and weaker. Alex kept telling me that that’s why there are producers who take the recording and work their magic to make it sound full and luscious again. However, the psychological damage this can do while you’re recording is not to be underestimated!!! If you’re used to hearing that fullness, listening to your own playback can be really disorienting and, potentially, very disappointing, which then messes with your head and can screw up your focus on your performance. I tried taking one headphone off to see if it would help to hear my actual voice in the room rather than what the recording was picking up and voila! I was able to hear myself sounding normal again. For the rest of the session I felt way more confident and stopped doubting my abilities.

So, don’t judge when you see photos of people in the studio like that! They’re just trying to help themselves do a good job! Oh, and don’t burp into the microphone, because if you do, your boyfriend will keep it and hold it as blackmail.


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The Suit and Peter Brook

I can’t remember when I first learned of director Peter Brook and his work. Maybe it was reading The Empty Space in college, maybe it was before then, but after coming back from my year abroad in London (where is name was certainly thrown around frequently), I dug into his history of work, reading Conference of the Birds, scouring the internet for images and details of his past productions, all because I had become obsessed with ways to combine multiculturalism and theatre. To this day, I have a hard time finding a way to combine the two in a new way, but that’s another story. I always thought it would be sooooooo incredible to work with Peter Brook on these daring productions and admired him for being so incredibly prolific. As you can imagine, I was thrilled by the opportunity to see The Suit while it was here visiting UCLA on it’s world tour, directed by Peter Brook himself.

The Suit, From the Afridiziak Theatre News website

The Suit, From the Afridiziak Theatre News website

As was expected, the story was beautifully put together. Scenes weaved in and out very organically, the use of the fourth wall was very appropriate to the type of show/story, and the performances were extremely focused and strategically nuanced. The three actors, Jordan Barbour, Ivanno Jeremiah, and Nonhlanhla Kheswa, gave masterful and captivating performances. The music was a absolutely a fourth character, playing almost constantly. The musicians (a guitarist, a trumpeter, and a guy switching between an accordion and a piano) deserve just as much praise as the actors.

I would go on and on about what made it so fantastic, but I’m not trying to write a review, AND they’ve moved on to a different city and I don’t want to tease you. What I wanted to explain about the impact of this show is that as I move more fully into the film/tv realm (never letting go of theatre, though!), The Suit was a great reminder of powerful it can be to experience a show that’s best and only possible incarnation is live performance. To film this piece would strip it of all that makes it so lovely– the amazing flow of energy in and out of scenes, the feeling that you get hearing these instruments played live as if just for you, the palpable connection between audience and storytellers, the way that subtle emotions make you lean in to read the feelings on an actor’s face… It just felt special. And that, my friends, is what I love about theatre. No matter what caliber of venue, company, or production you are partaking in, a well-executed piece of theatre will feel like you have experienced something unique and personal– like that performance was made solely to feed the souls of the folks who came that particular evening.

Thank you, Mr. Brook, for reminding me of this, for directing another show at 89 years old, and for creating such a wonderful celebration of my favorite art form.

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